Hi Friends
This post comes within a very short time of my previous one - and was not necessarily planned as part of the Medley Melodies series.
However, as I was juggling with a few interesting tracks to put them together, it suddenly occurred to me that in the process of listening to those old beautiful songs every now and then, we usually miss out on some of the most wonderful pieces of instrumental music that our music directors have left behind for us.
While there are a bunch of talented instrumentalists today amidst us that create magic with the instrument in their hand - be it Rajhesh Vaidhya on the Veena, Srinivas on the Mandolin, Super String specialists (Violin) like Karthick Iyer or Bala Bhaskar or Abhijith, Panditji (Hari Prasad Chaurasia) on the Flute, Stephen Devassey on the Keyboard, Ustad Zakeer Hussain on the Tabla, Padmashri Vikku Vinayakram on the Ghatam, Kalaimamani T H Subhash Chandran on the Konnakol (one of the very few to do this so amazingly), Sri Ganeshji on Ganjira, Sivamani on the Drums ... and the list is so huge and endless.
Violin and Flute always occupy a special position in my heart - simply because of the way they can touch the heart and soul with real good performances. Rajhesh has added Veena in to the list without any grain of doubt - he is just amazingly gifted and proves it in every program he gets on to.
Getting back to the Tamil / South Film Music as we have usually been dealing with, I have this time just put together three instrumental music bits from three different music directors. There could be many other such long instrumental pieces that I have missed this time - please feel free to add in by way of comments, so we can add to the database some other time. Here is how the stream goes...
We start with the skillfully composed piece of AR Rahman from the "Duet" movie title clip - classical Saxophone played by Sri Kadri Gopalnath in the Ragam Kalyana Vasantham which catapulted him to overnight fame. That is such a tremendous piece of sax, starting ever so mildly in a nice morning breezy setting, breaking into a high energy rendering in between and settling down with the beat of waves again..
As soon as the waves settle down (approx. point - 02:53 in the clip), we get caught in to a different wave - of the strings - the beautiful theme music in Violin composed by the Maestro Ilayaraja largely set in the Raga Pantuvarali. With a delectable orchestration to tune in and sink yourself completely, this is just an amazing piece of instrumental beauty - stand out classic, and should never be forgotten with time. Keep listening to this every now and then, and you will be reminded of the sheer brilliance this musician possesses.. the composition is a class apart riding through the streets of disciplined classical and careless western, all at the same time.. going through an up beat point to mellow down to soft closure again.
This string set merges into a soft string opening at the approx. point 06:40 in the clip - likely a Viola or Cello (or an equivalent Keyboard orchestration) that opens with simple chords and slowly picks up pace in a steady fashion.. this is an outstanding ingenuity on the part of the composer Vidyasagar, who has done a tremendous fusion here - starting out with a classical western orchestration, joining the chorus group in between with the traditional Pancha Ratna Keerthana "Entharo Mahanubhavulu" set in Sree Ragam. He takes the Pallavi and first charanam through the same lanes of fusion in a real smart way, blending it seamlessly. I decided to keep this as the last piece of the medley as I believe such medleys or outstanding compositions are our submissions of pranams in a very small way to the Musical Trinity - Saint Tyagaraja, Muthuswami Dikshitar and Syama Sastri - who lived amidst us and left such a huge musical treasure for us to plug in to.
I sincerely hope this instrumental wave of music lashes out on you in full strength and encourage you to take a full dip & enjoy the beauty and bliss arising therefrom. Pass on the links to all your friends too as no specific language is required to really enjoy this treasure of medleys. Comments welcome as always!
This post comes within a very short time of my previous one - and was not necessarily planned as part of the Medley Melodies series.
However, as I was juggling with a few interesting tracks to put them together, it suddenly occurred to me that in the process of listening to those old beautiful songs every now and then, we usually miss out on some of the most wonderful pieces of instrumental music that our music directors have left behind for us.
While there are a bunch of talented instrumentalists today amidst us that create magic with the instrument in their hand - be it Rajhesh Vaidhya on the Veena, Srinivas on the Mandolin, Super String specialists (Violin) like Karthick Iyer or Bala Bhaskar or Abhijith, Panditji (Hari Prasad Chaurasia) on the Flute, Stephen Devassey on the Keyboard, Ustad Zakeer Hussain on the Tabla, Padmashri Vikku Vinayakram on the Ghatam, Kalaimamani T H Subhash Chandran on the Konnakol (one of the very few to do this so amazingly), Sri Ganeshji on Ganjira, Sivamani on the Drums ... and the list is so huge and endless.
Violin and Flute always occupy a special position in my heart - simply because of the way they can touch the heart and soul with real good performances. Rajhesh has added Veena in to the list without any grain of doubt - he is just amazingly gifted and proves it in every program he gets on to.
Getting back to the Tamil / South Film Music as we have usually been dealing with, I have this time just put together three instrumental music bits from three different music directors. There could be many other such long instrumental pieces that I have missed this time - please feel free to add in by way of comments, so we can add to the database some other time. Here is how the stream goes...
We start with the skillfully composed piece of AR Rahman from the "Duet" movie title clip - classical Saxophone played by Sri Kadri Gopalnath in the Ragam Kalyana Vasantham which catapulted him to overnight fame. That is such a tremendous piece of sax, starting ever so mildly in a nice morning breezy setting, breaking into a high energy rendering in between and settling down with the beat of waves again..
As soon as the waves settle down (approx. point - 02:53 in the clip), we get caught in to a different wave - of the strings - the beautiful theme music in Violin composed by the Maestro Ilayaraja largely set in the Raga Pantuvarali. With a delectable orchestration to tune in and sink yourself completely, this is just an amazing piece of instrumental beauty - stand out classic, and should never be forgotten with time. Keep listening to this every now and then, and you will be reminded of the sheer brilliance this musician possesses.. the composition is a class apart riding through the streets of disciplined classical and careless western, all at the same time.. going through an up beat point to mellow down to soft closure again.
This string set merges into a soft string opening at the approx. point 06:40 in the clip - likely a Viola or Cello (or an equivalent Keyboard orchestration) that opens with simple chords and slowly picks up pace in a steady fashion.. this is an outstanding ingenuity on the part of the composer Vidyasagar, who has done a tremendous fusion here - starting out with a classical western orchestration, joining the chorus group in between with the traditional Pancha Ratna Keerthana "Entharo Mahanubhavulu" set in Sree Ragam. He takes the Pallavi and first charanam through the same lanes of fusion in a real smart way, blending it seamlessly. I decided to keep this as the last piece of the medley as I believe such medleys or outstanding compositions are our submissions of pranams in a very small way to the Musical Trinity - Saint Tyagaraja, Muthuswami Dikshitar and Syama Sastri - who lived amidst us and left such a huge musical treasure for us to plug in to.
I sincerely hope this instrumental wave of music lashes out on you in full strength and encourage you to take a full dip & enjoy the beauty and bliss arising therefrom. Pass on the links to all your friends too as no specific language is required to really enjoy this treasure of medleys. Comments welcome as always!
Presumably, you can download the entire track as it is and enjoy since I have not cut any pieces out of the original full tracks. Just use a standard ripper like www.snipmp3.com or www.fullrip.net to download the MP3 from this clip: http://www.youtube.com/watch?v=73bQNAq72WY
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